Commit 6274ace7f16374fb0f42a3689ff0dbef1a839241
Move Walking Dataloss entries with too-generic slugs
Replace with slugs that make more sense in the context of the whole site.Grey Nicholson committed on 10/3/2021, 12:47:15 PM
Parent: 42fd8897ab16ba7f6d7f843ba1695042431b025d
Files changed
| content/abouttheblogstitle.md | deleted |
| content/aboutwalkingdataloss.md | added |
| content/introduction.md | deleted |
| content/walkingdatalossintroduction.md | added |
| content/abouttheblogstitle.md | ||
|---|---|---|
| @@ -1,26 +1,0 @@ | ||
| 1 | ---- | |
| 2 | -title: About the blog's title | |
| 3 | -date: 2007-07-16 23:26 | |
| 4 | -series: Walking Dataloss | |
| 5 | -tags: Björk, meta, robots, the Flaming Lips, Walking Dataloss | |
| 6 | ---- | |
| 7 | - | |
| 8 | -<p>There was a TV advert recently—I <em>think</em> it was for an optician, though it might've been for a camera—in which a person walks through a forest, with Polaroid-type photos dropping behind them every few paces. The point was that we see so many images even over the course of just one day, but remember just a tiny fraction of this. You can generalise that to the other senses as well.</p> | |
| 9 | -<p>For example, a human can see at a rate of about ten frames per second, so over twelve hours one sees more than four hundred thousand images. And we remember <em>none</em> of them. I mean: we filter these images and extract facts from them, but then we forget the actual <em>image</em>. Even if we consciously <em>try</em> to remember the image, memories are imperfect and some subtleties are always changed or lost. (Animals make rubbish eyewitnesses.)</p> | |
| 10 | -<p>After a split-second review of each of these innumerate sensations, to extract the juiciest titbits, the brain simply discards all of them. There's decay intrinsic in every perception an animal makes.</p> | |
| 11 | -<p>In the world of software geekery, a “dataloss” bug (problem or error) is one that causes some of the user's information to be lost. It occurred to me that this advert was expressing a continual state of dataloss. It's one of the fundamental aspects of what's often called “the human condition” (although I should make it clear that I think this applies beyond just humans).</p> | |
| 12 | -<p>A lot of science fiction stories involving robots—for example—<em>contrast</em> those robots with their human (and roughly-human) counterparts, by having the robots be “perfect”. Flawless memory; absolute objectivity (the absence of emotions influencing decisions); and limitless accuracy and precision in almost every respect are hallmarks of the science fiction robot. (This isn't particularly contrived, as these are attributes that the fictional robots share with real-life computers.)</p> | |
| 13 | -<p>Often this “perfection” extends to an inability to feel emotions, usually love. While the robots are lauded for their impeccable grasp of the factual, they can simultaneously be pitied for their lack of a “deeper” experience of life, beyond the “merely” factual. (My suggestion that there <em>is</em> something “deeper” than the “merely factual” already assumes that there's more to life than pure facts.)</p> | |
| 14 | -<blockquote> | |
| 15 | -<p>Is it wrong to say it's love when it tries the way it does?</p> | |
| 16 | -</blockquote> | |
| 17 | -<p>—<cite>The Flaming Lips, “One More Robot / Sympathy 3000-21”</cite></p> | |
| 18 | -<p>It's concluded that in fact the robots' “perfection”, while ostensibly useful, is also a <em>shortcoming</em>. Imperfection is highlighted and <em>celebrated</em> as being intrinsic to humans' nature—constant dataloss is a fundamental part of life.</p> | |
| 19 | -<blockquote> | |
| 20 | -<p>There's definitely, definitely, definitely no logic to human behaviour.</p> | |
| 21 | -</blockquote> | |
| 22 | -<p>—<cite>Björk, “Human Behaviour”</cite></p> | |
| 23 | -<hr> | |
| 24 | -<p>I used “Dataloss” in the title rather than “decay” because dataloss is usually seen as being actively induced and thus preventable. Decay is more of a continuous, natural, inevitable process; I wanted to challenge dataloss's preventability. Besides, the latter has connotations of rotting flesh that I didn't want to encourage.</p> | |
| 25 | -<p>The “Walking” half of the title is the best way I could find to succinctly express the idea that people <em>are</em> dataloss (although, of course, I don't mean that they literally are). I'm also using it to illustrate the idea that what seems to be the most straightforward way to say something often comes loaded with assumptions. Here it's assumed that discussion is naturally restricted to concerning <em>humans</em> and no-one else, and that all humans can (or do) walk.</p> | |
| 26 | -<p>There should be a conclusion here... ...So! “Walking Dataloss” manages to cover the blog's main thrusts, “decay, perception and dodgy assumptions”, pretty succinctly.</p> | |
| content/aboutwalkingdataloss.md | ||
|---|---|---|
| @@ -1,0 +1,26 @@ | ||
| 1 … | +--- | |
| 2 … | +title: About the blog's title | |
| 3 … | +date: 2007-07-16 23:26 | |
| 4 … | +series: Walking Dataloss | |
| 5 … | +tags: Björk, meta, robots, the Flaming Lips, Walking Dataloss | |
| 6 … | +--- | |
| 7 … | + | |
| 8 … | +<p>There was a TV advert recently—I <em>think</em> it was for an optician, though it might've been for a camera—in which a person walks through a forest, with Polaroid-type photos dropping behind them every few paces. The point was that we see so many images even over the course of just one day, but remember just a tiny fraction of this. You can generalise that to the other senses as well.</p> | |
| 9 … | +<p>For example, a human can see at a rate of about ten frames per second, so over twelve hours one sees more than four hundred thousand images. And we remember <em>none</em> of them. I mean: we filter these images and extract facts from them, but then we forget the actual <em>image</em>. Even if we consciously <em>try</em> to remember the image, memories are imperfect and some subtleties are always changed or lost. (Animals make rubbish eyewitnesses.)</p> | |
| 10 … | +<p>After a split-second review of each of these innumerate sensations, to extract the juiciest titbits, the brain simply discards all of them. There's decay intrinsic in every perception an animal makes.</p> | |
| 11 … | +<p>In the world of software geekery, a “dataloss” bug (problem or error) is one that causes some of the user's information to be lost. It occurred to me that this advert was expressing a continual state of dataloss. It's one of the fundamental aspects of what's often called “the human condition” (although I should make it clear that I think this applies beyond just humans).</p> | |
| 12 … | +<p>A lot of science fiction stories involving robots—for example—<em>contrast</em> those robots with their human (and roughly-human) counterparts, by having the robots be “perfect”. Flawless memory; absolute objectivity (the absence of emotions influencing decisions); and limitless accuracy and precision in almost every respect are hallmarks of the science fiction robot. (This isn't particularly contrived, as these are attributes that the fictional robots share with real-life computers.)</p> | |
| 13 … | +<p>Often this “perfection” extends to an inability to feel emotions, usually love. While the robots are lauded for their impeccable grasp of the factual, they can simultaneously be pitied for their lack of a “deeper” experience of life, beyond the “merely” factual. (My suggestion that there <em>is</em> something “deeper” than the “merely factual” already assumes that there's more to life than pure facts.)</p> | |
| 14 … | +<blockquote> | |
| 15 … | +<p>Is it wrong to say it's love when it tries the way it does?</p> | |
| 16 … | +</blockquote> | |
| 17 … | +<p>—<cite>The Flaming Lips, “One More Robot / Sympathy 3000-21”</cite></p> | |
| 18 … | +<p>It's concluded that in fact the robots' “perfection”, while ostensibly useful, is also a <em>shortcoming</em>. Imperfection is highlighted and <em>celebrated</em> as being intrinsic to humans' nature—constant dataloss is a fundamental part of life.</p> | |
| 19 … | +<blockquote> | |
| 20 … | +<p>There's definitely, definitely, definitely no logic to human behaviour.</p> | |
| 21 … | +</blockquote> | |
| 22 … | +<p>—<cite>Björk, “Human Behaviour”</cite></p> | |
| 23 … | +<hr> | |
| 24 … | +<p>I used “Dataloss” in the title rather than “decay” because dataloss is usually seen as being actively induced and thus preventable. Decay is more of a continuous, natural, inevitable process; I wanted to challenge dataloss's preventability. Besides, the latter has connotations of rotting flesh that I didn't want to encourage.</p> | |
| 25 … | +<p>The “Walking” half of the title is the best way I could find to succinctly express the idea that people <em>are</em> dataloss (although, of course, I don't mean that they literally are). I'm also using it to illustrate the idea that what seems to be the most straightforward way to say something often comes loaded with assumptions. Here it's assumed that discussion is naturally restricted to concerning <em>humans</em> and no-one else, and that all humans can (or do) walk.</p> | |
| 26 … | +<p>There should be a conclusion here... ...So! “Walking Dataloss” manages to cover the blog's main thrusts, “decay, perception and dodgy assumptions”, pretty succinctly.</p> | |
| content/introduction.md | ||
|---|---|---|
| @@ -1,21 +1,0 @@ | ||
| 1 | ---- | |
| 2 | -title: Introduction | |
| 3 | -date: 2007-07-09 13:45 | |
| 4 | -series: Walking Dataloss | |
| 5 | -tags: assumptions, decay, Flickr, imperfection, meta, Mooquackwooftweetmeow, perception, The Twaddle, Walking Dataloss | |
| 6 | ---- | |
| 7 | - | |
| 8 | -<p>So… This blog's going to be centred around the idea of decay and how it affects our perception. And then how that leads to assumptions, and illogical categorisations (putting things into boxes where they don't belong).</p> | |
| 9 | -<p>I'm already guilty after one sentence—to whom does “our” apply? Just me? Me and a few friends? Me and you? (Hi! by the way.) Every person alive today? Every human <em>including</em> the dead and yet-to-be-born? Every mammal? Every <em>animal</em>? Or absolutely <em>every</em> living being including plants and such?</p> | |
| 10 | -<p>Yeah. Tough one.</p> | |
| 11 | -<p>Of necessity, I'm going to have to reduce generalisations to only those that apply to <em>me</em>. Generally, though, I'm going to try to challenge assumptions by stretching applicability to the widest sense possible.</p> | |
| 12 | -<p>I'm <em>not</em> going to criticise directed writing or speech in English for assuming the audience is human—at the time of writing, only humans can understand English beyond a few words—but I <em>will</em> use <i>things being assumed when they shouldn't be</i> as starting points for wider thoughts.</p> | |
| 13 | -<hr> | |
| 14 | -<p>I've written about this sort of stuff before—simplistic things like my <a href="https://gkn.me.uk/arantaboutforeigners">“rant about foreigners”</a> in which I complained about an American website using units of measure that were familiar to <em>them</em>, but that a wider, non-American audience found awkward or even incomprehensible. I've also written about <a href="https://gkn.me.uk/planetx4">what's in the solar system</a>, trying to use language that most objectively describes the <em>reality</em> of what's there, as well as removing the historical misemphasis particularly of Pluto, but also of the “major planets”. (I only <em>just</em> realised that that entry was relevant to this.)</p> | |
| 15 | -<hr> | |
| 16 | -<p>A lot of <a href="http://www.flickr.com/photos/gregknicholson/">my pictures on Flickr</a> have a theme of decay and imperfection. In <a href="http://www.flickr.com/photos/gregknicholson/444944463/">Four</a> (I use <a href="http://forwardrussia.com/">¡Forward, Russia!</a> nomenclature for the pictures I publish) I tried to make a picture of a murky sky over Hartlepool (Great Britain, Earth etc.) look bright and sunny; the result has a clear air of artificiality (quite possibly due to my lack of <a href="http://gimp.org/">GIMP</a> mojo).</p> | |
| 17 | -<p>For <a href="http://www.flickr.com/photos/gregknicholson/698883218/">Ten</a>, I drew around the photo by hand, sloppily, creating an outline that was clearly produced in this way. Both of these were an attempt to highlight how the reality of what I photographed gets <em>filtered</em> en route from the camera to the viewer, by artificially filtering the pictures even more; and in the case of Ten, by intentionally introducing imperfections.</p> | |
| 18 | -<p>As another example of me playing with imperfections, I began my Thirteen series by focusing on the most obvious imperfection the camera recorded (<a href="http://www.flickr.com/photos/gregknicholson/700208520/">part 1</a>)—the overexposure of the Sun. I then focused on the same area but with the imperfection removed and the sky recoloured to blue, the colour you'd expect of a sky; the resulting picture (<a href="http://www.flickr.com/photos/gregknicholson/700208550/">part 3</a>) is—in my opinion—less interesting than part 1. And finally, I couldn't bring myself to “waste” such a good photo (again, my opinion, of course) by not publishing the full thing as it was “supposed” to look (<a href="http://www.flickr.com/photos/gregknicholson/700208572/">part 4</a>)—an example of the valiant fight against decay.</p> | |
| 19 | -<hr> | |
| 20 | -<p>One more thing: there's an article on <a href="https://gkn.me.uk/thetwaddle/">The Twaddle</a>, a now-mostly-defunct website I run, about the English language (indeed any language) being an intrinsically <em>imperfect</em> representation of what the speaker is trying to express; it argues that this imperfection, the nuances that are applied to any perception that passes through a brain, ought to be appreciated. <a href="https://gkn.me.uk/thetwaddle/english">00101 01110 00111 01100 01001 10011 01000 01001 10011 00011 01111 01111 01100</a> wasn't written by me (the author now prefers to remain anonymous for unstalkability reasons) but it probably comes closest to the type of thing I intend to write about on this blog. | |
| 21 | -<p>(By the way, earlier, “our” applied to anything that <em>can</em> perceive, which I <em>think</em> means any animal.)</p> | |
| content/walkingdatalossintroduction.md | ||
|---|---|---|
| @@ -1,0 +1,21 @@ | ||
| 1 … | +--- | |
| 2 … | +title: Introduction | |
| 3 … | +date: 2007-07-09 13:45 | |
| 4 … | +series: Walking Dataloss | |
| 5 … | +tags: assumptions, decay, Flickr, imperfection, meta, Mooquackwooftweetmeow, perception, The Twaddle, Walking Dataloss | |
| 6 … | +--- | |
| 7 … | + | |
| 8 … | +<p>So… This blog's going to be centred around the idea of decay and how it affects our perception. And then how that leads to assumptions, and illogical categorisations (putting things into boxes where they don't belong).</p> | |
| 9 … | +<p>I'm already guilty after one sentence—to whom does “our” apply? Just me? Me and a few friends? Me and you? (Hi! by the way.) Every person alive today? Every human <em>including</em> the dead and yet-to-be-born? Every mammal? Every <em>animal</em>? Or absolutely <em>every</em> living being including plants and such?</p> | |
| 10 … | +<p>Yeah. Tough one.</p> | |
| 11 … | +<p>Of necessity, I'm going to have to reduce generalisations to only those that apply to <em>me</em>. Generally, though, I'm going to try to challenge assumptions by stretching applicability to the widest sense possible.</p> | |
| 12 … | +<p>I'm <em>not</em> going to criticise directed writing or speech in English for assuming the audience is human—at the time of writing, only humans can understand English beyond a few words—but I <em>will</em> use <i>things being assumed when they shouldn't be</i> as starting points for wider thoughts.</p> | |
| 13 … | +<hr> | |
| 14 … | +<p>I've written about this sort of stuff before—simplistic things like my <a href="https://gkn.me.uk/arantaboutforeigners">“rant about foreigners”</a> in which I complained about an American website using units of measure that were familiar to <em>them</em>, but that a wider, non-American audience found awkward or even incomprehensible. I've also written about <a href="https://gkn.me.uk/planetx4">what's in the solar system</a>, trying to use language that most objectively describes the <em>reality</em> of what's there, as well as removing the historical misemphasis particularly of Pluto, but also of the “major planets”. (I only <em>just</em> realised that that entry was relevant to this.)</p> | |
| 15 … | +<hr> | |
| 16 … | +<p>A lot of <a href="http://www.flickr.com/photos/gregknicholson/">my pictures on Flickr</a> have a theme of decay and imperfection. In <a href="http://www.flickr.com/photos/gregknicholson/444944463/">Four</a> (I use <a href="http://forwardrussia.com/">¡Forward, Russia!</a> nomenclature for the pictures I publish) I tried to make a picture of a murky sky over Hartlepool (Great Britain, Earth etc.) look bright and sunny; the result has a clear air of artificiality (quite possibly due to my lack of <a href="http://gimp.org/">GIMP</a> mojo).</p> | |
| 17 … | +<p>For <a href="http://www.flickr.com/photos/gregknicholson/698883218/">Ten</a>, I drew around the photo by hand, sloppily, creating an outline that was clearly produced in this way. Both of these were an attempt to highlight how the reality of what I photographed gets <em>filtered</em> en route from the camera to the viewer, by artificially filtering the pictures even more; and in the case of Ten, by intentionally introducing imperfections.</p> | |
| 18 … | +<p>As another example of me playing with imperfections, I began my Thirteen series by focusing on the most obvious imperfection the camera recorded (<a href="http://www.flickr.com/photos/gregknicholson/700208520/">part 1</a>)—the overexposure of the Sun. I then focused on the same area but with the imperfection removed and the sky recoloured to blue, the colour you'd expect of a sky; the resulting picture (<a href="http://www.flickr.com/photos/gregknicholson/700208550/">part 3</a>) is—in my opinion—less interesting than part 1. And finally, I couldn't bring myself to “waste” such a good photo (again, my opinion, of course) by not publishing the full thing as it was “supposed” to look (<a href="http://www.flickr.com/photos/gregknicholson/700208572/">part 4</a>)—an example of the valiant fight against decay.</p> | |
| 19 … | +<hr> | |
| 20 … | +<p>One more thing: there's an article on <a href="https://gkn.me.uk/thetwaddle/">The Twaddle</a>, a now-mostly-defunct website I run, about the English language (indeed any language) being an intrinsically <em>imperfect</em> representation of what the speaker is trying to express; it argues that this imperfection, the nuances that are applied to any perception that passes through a brain, ought to be appreciated. <a href="https://gkn.me.uk/thetwaddle/english">00101 01110 00111 01100 01001 10011 01000 01001 10011 00011 01111 01111 01100</a> wasn't written by me (the author now prefers to remain anonymous for unstalkability reasons) but it probably comes closest to the type of thing I intend to write about on this blog. | |
| 21 … | +<p>(By the way, earlier, “our” applied to anything that <em>can</em> perceive, which I <em>think</em> means any animal.)</p> | |
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